Lincoln in the Bardo

Lincoln in the Bardo

A Novel

eBook - 2017
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The long-awaited first novel from the author of Tenth of December : a moving and original father-son story featuring none other than Abraham Lincoln, as well as an unforgettable cast of supporting characters, living and dead, historical and invented

February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln's beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. "My poor boy, he was too good for this earth," the president says at the time. "God has called him home." Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy's body.

From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state--called, in the Tibetan tradition, the bardo--a monumental struggle erupts over young Willie's soul.

Lincoln in the Bardo  is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction's ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices to ask a timeless, profound question: How do we live and love when we know that everything we love must end?

Praise for Lincoln in the Bardo

"A luminous feat of generosity and humanism." --Colson Whitehead, The New York Times Book Review

"A masterpiece." -- Zadie Smith

"Ingenious . . . Saunders--well on his way toward becoming a twenty-first-century Twain--crafts an American patchwork of love and loss, giving shape to our foundational sorrows." -- Vogue

"Saunders is the most humane American writer working today." --Harper's Magazine

"The novel beats with a present-day urgency--a nation at war with itself, the unbearable grief of a father who has lost a child, and a howling congregation of ghosts, as divided in death as in life, unwilling to move on." -- Vanity Fair

"A brilliant, Buddhist reimagining of an American story of great loss and great love." --Elle

"Wildly imaginative" --Marie Claire

"Mesmerizing . . . Dantesque . . . A haunting American ballad." -- Publishers Weekly (starred review)

"Exhilarating . . . Ruthless and relentless in its evocation not only of Lincoln and his quandary, but also of the tenuous existential state shared by all of us." -- Kirkus Reviews (starred review)

"It's unlike anything you've ever read, except that the grotesque humor, pathos, and, ultimately, human kindness at its core mark it as a work that could come only from Saunders." --The National
Publisher: New York : Random House, [2017]
ISBN: 9780812995350
Characteristics: text file, rda
Additional Contributors: OverDrive, Inc. - Distributor

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Oddly composed of snippets of this and that, but I'm still at the beginning and a bit derailed by the over-the-top lavish state banquet, with all the exquisite confections and entrees, on the same night that Willie dies.

Kris--PR Library

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talk2terih
Jun 13, 2018

As Salieri said of Mozart's music in the film Amadeus "This was something entirely new."

Every now and then, a piece of art emerges that forces to rethink how we define that particular genre. Picasso, Pollock, Manet, Seurat, all put forth paintings in styles previously unknown, e e Cummings caused us to view poetry in a new way, and as Salieri observed, Mozart gave us music that was entirely new.

With this book, George Saunders has expanded our definition of what constitutes a novel, a fictional work of literature. It is difficult to find our way at times in this book, but that is noone' s fault. We are breaking new ground and that is an effort that goes slowly. The writing, if odd, is beautifully crafted. The ideas of the aftetlife, if unusual, are beautifully described. And the grief of Mr. Lincoln for his dead son is so raw and immediate, you feel as though you should turn away from witnessing such an intimate moment.

This book is the heir to Master's Spoon River Anthology, itself a groundbreaking play. If that work appealed to you at all, give this one a go and bring an open mind. I am guessing that you, like me, will never define the novel in quite the same way after reading this book.

bibliotom May 19, 2018

I have gleaned from experts on TV that ghosts are spirits of the dead who can't move on to the next plane of existence. In this way they are perfect exemplars of the Buddhist problem of attachment, the universal neurosis that is the unspoken subject of Saunders' novel. The "ghosts" here are stuck in the bardo because they won't let go of something in their lives, and in this way they are more like living human beings than the dead. The key to their escape from this perpetual twilight is compassion. There is no mention of Buddha in this book, but it's a wonderful example of how buddhism works in the real world, as imaginary and imaginative as this graveyard bardo is.

KateHillier May 14, 2018

That was an experience of a book. The format takes a little bit of getting used to but once I found my rhythm it was smooth sailing. Aside from the pain and gutpunching that the entire story as a whole is. Abraham Lincoln's young son, Willie, has died. He finds himself in an inbetween place with other spirits, who don't know or won't recognize their actual state of being. Meanwhile, in the living world, Lincoln grieves and a war goes on. The grief, and death, and destruction and penance being taken is heartbreaking. There are bits of humour throughout but it almost seems more tragic than funny.

I really enjoyed this. I guarantee you've never read anything like it.

l
LThomas_Library
May 05, 2018

Read and reflect.

x
xiaojunbpl12
Apr 27, 2018

It took me 50 pages to get used to the narrative structure, and I constantly referred to the signature first at the bottom of each paragraph/long-section/short-line voiced.

A big fan of his writing, I still tarry over the threshold he created, wish to prolong the effect. A thrill and joy to experience through reading the only power generated by fiction, uniquely by G. Saunders.

n
Nanabelle_5
Apr 15, 2018

Add to Tablet

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peggysnorf
Apr 12, 2018

Awful book.

j
JANET FLAPAN
Apr 07, 2018

Stick with it, the structure can be confusing but it's so original and creative. I loved it and think it will inspire other writers to try new ideas. Based partly on history and partly on philosophy and Eastern religious ideas.

s
smbeust
Apr 02, 2018

I loved this book. It reminds me of one of my favorites, by Sherri Reynolds, "A Gracious Plenty". I have always loved ghost stories since being very young, but these two books about people who are talking to one another in their cemeteries, fascinate me.

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Notices

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LThomas_Library
May 05, 2018

Other: Topics: Death, super natural.

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LThomas_Library
May 05, 2018

Frightening or Intense Scenes: Intense empathetic scenes.

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LThomas_Library
May 05, 2018

Coarse Language: Moderate language.

Age

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LThomas_Library
May 04, 2018

LThomas_Library thinks this title is suitable for 17 years and over

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